Flowerbox (2012)
Timed to appear as London celebrates the Queens Jubilee and the London Olympics, greyworld’s take on the iconic red phone box was installed in some of the most recognisable locations around London.
Timed to appear as London celebrates the Queens Jubilee and the London Olympics, greyworld’s take on the iconic red phone box was installed in some of the most recognisable locations around London.
The forest is often the mysterious location of secret stories, of distant sounds from hidden camp fires, of secret meetings and unexplained sounds. In the Clockwork Forest, we have created the first chapter of an untold fairy tale..
Five bins and four benches have been injected with a magic serum of life so that they can break free from their staid and fixed positions to roam free in a public square in Cambridge.
greyworld have created a permanent 55m installation for a striking new Foster and Partners development in historic Spitalfields, East London. The work of art occupies the full height of the building’s central 10-storey atrium. It uses hundreds of flowers, hidden within a seemingly sober column suspended within the space, to allow the building to bloom
Over the last few years, we have been playing with simple symbols that encourage interaction in direct and gentle ways. As such, the Clockwork Key needs no instructions – turn it, and see what happens…
Soundscape is a work inspired by Dan Flavin’s iconic light installations to accompany a retrospective of his work at the Hayward Gallery in London. The sound work is comprised of six individual compositions, which respond to Flavin’s installations in a particular space in the gallery.
At first glance the installation appear to be a mirror of the real world of the gallery space. However, this mirror image of our world is transposed onto a virtual plane where the rules of ownership no longer apply.
In mid 2010, we were approached by OgilvyOne, an ad agency, with an interesting brief: what does the taste of something look like? We were excited by the prospect of creating a generative engine to respond visually to how things tasted..
Colourstops (1,2) is a permanent sound installation in two bus shelters, along the Manchester Road in Bradford. The work of art subtly alters the space of the shelter with the sound of a female voice, gently singing the colours of the clothing of the people passing through.
We were invited by the BBC to create two interactive games to appear on this popular television programme. The first game, Video Jigsaw, used a hidden camera and a plasma screen to create a jigsaw puzzle of the contestants face, which was broken into a series of squares. The contestant had to look at their